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eugzol в посте Metapractice (оригинал в ЖЖ)

Generative grammar has been used to a limited extent in music theory and analysis since the 1980s.[3][4] The most well-known approaches were developed by Mark Steedman[5] as well as Fred Lerdahl and Ray Jackendoff,[6] who formalised and extended ideas from Schenkerian analysis.[7] More recently, such early generative approaches to music were further developed and extended by several scholars.[8][9][10][11]
http://en.wikipedia.org/wiki/Generative_grammar#Music

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